En "manlig" drottning med "kvinnligt behag": gränsöverskridande perspektiv på genus
Author
Summary, in English
A »manly» Queen with »feminine» charm. Gender perspectives.
Existential biography does not so much search for a logical development in a person’s life as for the opportunities to shape and choose between different paths. Instead of using identities, which are often ambiguous in the extreme, I follow the Swedish historian Henrik Rosengren in his use of different cultural identifications that together form an identity. Identifications are changeable and manifold, but they are also communicable.
Queen Victoria’s cultural identifications may be understood as three different fields, replete with intersections. They are dependent on her fundamental yet unformulated identifications as a woman and as a frail and suffering person. In the first field, citizenships, we find her identifications as German, Swedish, and Christian. In the second field, social functions, we recognise the positions of the Lutheran Haustafel: Crown Princess or Queen, listener, and matron. In the third field, inner models, we encounter both the praying self of the Psalms, the suffering Christ, and the women of Wagner’s operas, all displaying both resignation and passion in a setting of either Christian mysticism or romantic philosophy, and sometimes in combination.
In studying »the manly Queen with feminine charm» the differentiation between manliness and masculinity is thrown into relief, for »manliness» in a positive sense has also been open to women. In older devotional literature, the Christian person as a new, spiritual creation is not devoid of gender characteristics, but certainly lacks gender limitations. Godly men and women were regarded as examples for women and men alike. In the nineteenth century this changed, and gender categories became sexed. This change had an enormous impact in turn on religious language. Religion was feminised and masculinised.
This concept permits of a greater understanding of the gender positions of both sexes than R. W. Connell’s »hegemonic masculinity», by which women are reduced to passive positions. This article emphasises the need for gender studies to focus on both women and men, especially where positive results on manliness and masculinity can be obtained from the study of women in history.
Victoria has been described as a manly queen with feminine charm. Her faith may also with reason be described as manly. In her personal life, her strong sense of duty was balanced by the impression made by Wagner’s passionate and forceful women characters as models of a manly femininity. She was clearly influenced by Charles Kingsley’s devotional books and his emphasis on active »true resignation». As a queen, she regarded herself in the light of old Lutheran social teaching as the mother of the nation. The importance of monarchical ideas to Victoria meant that in her view political and personal ethics were as one. Her position was in many ways unique, which magnifies similar observations that could be made in other women as well. »A manly queen with feminine charm» was one of several manly women with feminine charm.
Existential biography does not so much search for a logical development in a person’s life as for the opportunities to shape and choose between different paths. Instead of using identities, which are often ambiguous in the extreme, I follow the Swedish historian Henrik Rosengren in his use of different cultural identifications that together form an identity. Identifications are changeable and manifold, but they are also communicable.
Queen Victoria’s cultural identifications may be understood as three different fields, replete with intersections. They are dependent on her fundamental yet unformulated identifications as a woman and as a frail and suffering person. In the first field, citizenships, we find her identifications as German, Swedish, and Christian. In the second field, social functions, we recognise the positions of the Lutheran Haustafel: Crown Princess or Queen, listener, and matron. In the third field, inner models, we encounter both the praying self of the Psalms, the suffering Christ, and the women of Wagner’s operas, all displaying both resignation and passion in a setting of either Christian mysticism or romantic philosophy, and sometimes in combination.
In studying »the manly Queen with feminine charm» the differentiation between manliness and masculinity is thrown into relief, for »manliness» in a positive sense has also been open to women. In older devotional literature, the Christian person as a new, spiritual creation is not devoid of gender characteristics, but certainly lacks gender limitations. Godly men and women were regarded as examples for women and men alike. In the nineteenth century this changed, and gender categories became sexed. This change had an enormous impact in turn on religious language. Religion was feminised and masculinised.
This concept permits of a greater understanding of the gender positions of both sexes than R. W. Connell’s »hegemonic masculinity», by which women are reduced to passive positions. This article emphasises the need for gender studies to focus on both women and men, especially where positive results on manliness and masculinity can be obtained from the study of women in history.
Victoria has been described as a manly queen with feminine charm. Her faith may also with reason be described as manly. In her personal life, her strong sense of duty was balanced by the impression made by Wagner’s passionate and forceful women characters as models of a manly femininity. She was clearly influenced by Charles Kingsley’s devotional books and his emphasis on active »true resignation». As a queen, she regarded herself in the light of old Lutheran social teaching as the mother of the nation. The importance of monarchical ideas to Victoria meant that in her view political and personal ethics were as one. Her position was in many ways unique, which magnifies similar observations that could be made in other women as well. »A manly queen with feminine charm» was one of several manly women with feminine charm.
Department/s
Publishing year
2010
Language
Swedish
Pages
67-77
Publication/Series
Kyrkohistorisk årsskrift
Volume
2010
Full text
- Available as PDF - 219 kB
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Document type
Journal article
Publisher
Svenska kyrkohistoriska föreningen
Topic
- Philosophy, Ethics and Religion
Keywords
- biography
- manly
- masculine
- male
- feminine
- female
- womanly
- gender
- Queen Victoria of Sweden
Status
Published
Project
- Christian Manliness, a Paradox of Modernity: Men and Religion in a Northern-European Context, 1840 to 1940
Research group
- Christian manliness - a paradox of modernity
ISBN/ISSN/Other
- ISSN: 0085-2619