The browser you are using is not supported by this website. All versions of Internet Explorer are no longer supported, either by us or Microsoft (read more here: https://www.microsoft.com/en-us/microsoft-365/windows/end-of-ie-support).

Please use a modern browser to fully experience our website, such as the newest versions of Edge, Chrome, Firefox or Safari etc.

A Golden, Empty Shell: The Depiction of Venice in Henry James's "Travelling Companions", The Aspern Papers and The Wings of the Dove

På svenska

Author

  • Michela Maraga

Summary, in English

Henry James had a thirty-year-long relationship with the city of Venice, which made it possible for him to develop a profound knowledge of the city's architecture and art. James's interest in 'The Floating City' is reflected in three of his works that are set there, namely, "Travelling Companions" (1870), The Aspern Papers (1888) and The Wings of the Dove (1902). This essay investigates how Venice and its inhabitants are depicted in the three works. By comparing the tropes on Venice that James employs with the tropes that have been used in the 18th and 19th century, this essay shows the bond that connects James's works with previous authors' works. Furthermore, it examines the picture of the city that emerges and its role in the narration. It draws the conclusion that the depiction of Venice is multifaceted as the city always has an active role in the narration and is not a mere setting. All depictions are collected in the appendix.

Department/s

Publishing year

2019

Language

English

Document type

Student publication for Bachelor's degree

Topic

  • Languages and Literatures

Supervisor

  • Kiki Lindell