Body and Authority in Contemporary Art: Tehching Hsieh’s One-Year Performances
Author
Editor
- Leif Dahlberg
Summary, in English
The essay examines how contemporary artists directly or indirectly violate laws not only in order to create art, but also to break into—and become recognised by—the artworld. It first discusses two much-debated Swedish artworks—Lars Norén’s play Seven Three (1998) and Anna Odell’s Unknown, woman 2009-349701 (2009)—that have brought about confrontations between individuals and social institutions. The second part focuses on Tehching Hsieh’s series of one-year art performances (1978–1986), in which the artist instated rules for himself that brought him in conflict with societal law, but at the same time reproduced some of its modi operandi.
Department/s
Publishing year
2012
Language
English
Pages
204-233
Publication/Series
Visualizing Law and Authority: Essays on Legal Aesthetics
Volume
Law & Literature 4
Document type
Book chapter
Publisher
De Gruyter
Topic
- Art History
Keywords
- Tehching Hsieh
- Anna Odell
- Lars Norén
- Giorgio Agamben
- institutional theory of art
- social ontology
- law
- performance art
- performativity
Status
Published
Project
- Anatomy in the expanded field. Aesthetics, ethics and epistemology in contemporary medical imaging.
ISBN/ISSN/Other
- ISBN: 978-3-11-028544-4