Om Kändisjournalistik
On Celebrity Journalism
Author
Summary, in English
The thesis approaches the research question of how journalistic practices facilitate the construction of celebrity status. Theoretically, celebrity is conceptualised as a particularly fluid form of social status based on mediatized attention and engagement. Journalism is studied as an invitation to share
experiences, organised through media logics and narrative structures. The empirical cases studied in the thesis are two multifaceted Swedish celebrities: The singer, dancer, actor and host Måns Zelmerlöw and the equally multi-faceted painter, designer, author, actor, singer, and glamour model Carolina
Gynning. The study follows their individual careers, as they represent two archetypes of celebrities: the potentialist and the craftsman respectively. These types were constructed based on Richard Sennett’s work on capitalism in late modernity. The thesis investigates how journalists build inviting narratives for
the audience and thereby facilitate parasocial relationships in the process. The study finds that the distinguishing features of the genre of celebrity journalism come from the genre’s function to both report about and construct celebrities. The genre defines its own reality by employing a distinct melodramatic
style, mixing strong emotions and a strict journalistic reporting style, borrowing stylistic elements from both hard and soft news. The journalistic reporting tends to focus its stories on how celebrities approach and overcome obstacles. It further shows how journalists employ the melodramatic genre conventions when presenting the media event to make them into engaging rallying points by portraying it through the eyes of the celebrity. The event becomes a challenge to conquer for the celebrity. Further on, by investigating how each journalistic text acts as a mediated micro-interaction between the celebrity and the audience, the thesis shows how the different texts link each other into an ongoing
meta-narrative that locks the celebrity and audience into a parasocial relationship.
Finally, the study shows how mediatized arenas influence the career logics of celebrities by offering different opportunitites for celebrity performance and journalistic portrayals. In conclusion, the thesis argues that celebrification is the by-product of journalistic practices in which celebrities manage their emotions in order to facilitate engagement for individuals and the contexts they appear in. By portraying them as extraordinary actors with a desire to accomplish and overcome obstacles to fulfill a dramatic conflict, journalists create an appealing and engaging narrative, inviting the audience to engage and participate
in the mediated everyday lives of celebrities.
experiences, organised through media logics and narrative structures. The empirical cases studied in the thesis are two multifaceted Swedish celebrities: The singer, dancer, actor and host Måns Zelmerlöw and the equally multi-faceted painter, designer, author, actor, singer, and glamour model Carolina
Gynning. The study follows their individual careers, as they represent two archetypes of celebrities: the potentialist and the craftsman respectively. These types were constructed based on Richard Sennett’s work on capitalism in late modernity. The thesis investigates how journalists build inviting narratives for
the audience and thereby facilitate parasocial relationships in the process. The study finds that the distinguishing features of the genre of celebrity journalism come from the genre’s function to both report about and construct celebrities. The genre defines its own reality by employing a distinct melodramatic
style, mixing strong emotions and a strict journalistic reporting style, borrowing stylistic elements from both hard and soft news. The journalistic reporting tends to focus its stories on how celebrities approach and overcome obstacles. It further shows how journalists employ the melodramatic genre conventions when presenting the media event to make them into engaging rallying points by portraying it through the eyes of the celebrity. The event becomes a challenge to conquer for the celebrity. Further on, by investigating how each journalistic text acts as a mediated micro-interaction between the celebrity and the audience, the thesis shows how the different texts link each other into an ongoing
meta-narrative that locks the celebrity and audience into a parasocial relationship.
Finally, the study shows how mediatized arenas influence the career logics of celebrities by offering different opportunitites for celebrity performance and journalistic portrayals. In conclusion, the thesis argues that celebrification is the by-product of journalistic practices in which celebrities manage their emotions in order to facilitate engagement for individuals and the contexts they appear in. By portraying them as extraordinary actors with a desire to accomplish and overcome obstacles to fulfill a dramatic conflict, journalists create an appealing and engaging narrative, inviting the audience to engage and participate
in the mediated everyday lives of celebrities.
Department/s
Publishing year
2022-06-03
Language
Swedish
Publication/Series
Lund Studies in Media and Communication
Issue
27
Full text
Document type
Dissertation
Publisher
Lund University
Topic
- Media and Communications
Keywords
- celebrity culture
- Media Analysis
- kändiskultur
- journalistik
- press
- media and communication studies
- genre analysis
- glamour
- Celebrity studies
- journalism
- media and communication studies
- glamour
- press
- genre analysis
- social status
Status
Published
Project
- On Celebrity Journalism
Research group
- DigitalHistory @ Lund
Supervisor
- Gunilla Jarlbro
- Tobias Olsson
ISBN/ISSN/Other
- ISSN: 1104-4330
- ISSN: 1104-4330
- ISBN: 978-91-8039-286-0
- ISBN: 978-91-8039-285-3
Defence date
23 September 2022
Defence time
10:00
Defence place
Hörsalen, SOL, Helgonabacken 12, Lund
Opponent
- Anne Jerslev (Professor)